ESSAY STRUCTURE

INTRODUCTION 

Paragraph One (300 words)

  • Explain the question
  • Looking into the relationship between music and design 
  • How this has been impacted by the advancement of streaming services 
  • Contexts: How this has translated into historical context, social context and technological context 
SECTION ONE: The Early Days

Paragraph Two (Try to keep this between 150)
  • Sheet music was the first form of recorded music, only really useful for those who could practice it 
  • However, even though people had to travel to listen to music, this actually made people more inclined to learn it
  • There was not a noticeable amount of design at this point however, sheet music came as pages or publications and later on and were made by designers, noting that graphic design was not a named thing at this point however, the visual language and principles were still being applied
  • Mention this effect on the consumer, how they interacted with music at this point and applying a phenomenological approach
This can all be part of one paragraph because it is not majorly important to the essay, only laying down the beginnings so that we can see how it started rather than back tracking later. 

References (Subject to change but, really should not be researching anymore at this point)

MN2S. (2020) The History of Music Distribution MN2S. Available at:

https://mn2s.com/news/label-services/the-history-of-music-distribution/(Accessed 9th November)


Zantel- Wiener, A. (2017) From the Phonograph to Spotify: The History of Streaming Music Hubspot. Available at: https://blog.hubspot.com/marketing/history-of-internet-radio (Accessed 12th November)


Bennett, J. (2017) How Was Musical Notation Invented? A Brief History. WQXR. Available at: https://www.wqxr.org/story/how-was-musical-notation-invented-brief-history/ (Date accessed 17th November)


McLerran, M. (2017) The Evolution of Sheet Music. McLerran Journal. Available at: https://www.mclerranjournal.com/technology-1/2017/7/30/the-evolution-of-sheet-music (Date accessed 14th November)


Paragraph Three (150)

  • The later invention of the phonograph- developed machines from this 
  • How this then brought out phonograph booths
  • Advertising for phonograph booths, like before, mention how graphic design principles and visual language were used 
  • The experience that consumers get now they can visit phonograph booths, only the really rich could afford to have one in their homes, huge amount of consideration for historical context, class system made it so people had different experiences of music and design
  • Make sure then end of this paragraph mentions a hint at vinyl so the essay can flow 
Once again this can be all in one paragraph, I wanted to include this because it is important for technological context as this led to the vinyl and the first music players

References
 
MN2S. (2020) The History of Music Distribution MN2S. Available at:

https://mn2s.com/news/label-services/the-history-of-music-distribution/(Accessed 9th November)


Zantel- Wiener, A. (2017) From the Phonograph to Spotify: The History of Streaming Music Hubspot. Available at: https://blog.hubspot.com/marketing/history-of-internet-radio (Accessed 12th November)


Smith, D. W (2018) Phenomenology. Stanford Encyclopedia of Philosophy. Available at: https://plato.stanford.edu/entries/phenomenology/ (Date accessed 12th October)


SECTION TWO: AFTER THE WORLD WARS

Paragraph Four  (150)
  • Then the development of vinyl through lack of materials to make the shellac records 
  • Designers now coming in to design record sleeves and inner sleeves
  • Graphic design had been established by the time the vinyl had been released 
  • How graphic design was now acknowledged and being used more and more
Now this is the start of the important stuff, this first paragraph will act as an introduction to the vinyl and the other information will be applied through the case studies. 

Case studies (Each one will be a paragraph and 800 words divided by the three)
  • The Beatles, "Sgt. Pepper's Lonely Hearts Club Band", album cover designed by Sir Peter Blake and Jan Howarth- one of the most iconic covers still to this day- remember to apply social context and historical context, this will help show just how successful the design is and will make more sense of its context 
  • Joy Division's "Unknown Pleasures", album cover designed by Peter Saville, the design is versatile and timeless and still being re-printed today, the design has since always been associated with the band
  • Sex Pistols' "Never Mind The Bollocks, Here's The Sex Pistols", first time a swear word was on an album cover, design and the music set a clear image of what was going on in the UK at the time. 
Paragraph Eight (250)
  • The effect on the consumer
  • New ease of access 
  • Music industry has been acknowledged as a profitable market so more and more advertisement were placed to the public
  • How since the war and destruction of the class system had left people confused of their place in society and how music and design helped people regain that
  • Vinyls are still very prominent today and came back as almost a fashion trend through urban outfitters - this might be more appropriate towards the end of the essay as it will break the chronological structure 
References

MN2S. (2020) The History of Music Distribution MN2S. Available at:

https://mn2s.com/news/label-services/the-history-of-music-distribution/(Accessed 9th November)


Zantel- Wiener, A. (2017) From the Phonograph to Spotify: The History of Streaming Music Hubspot. Available at: https://blog.hubspot.com/marketing/history-of-internet-radio (Accessed 12th November)


Grow, K. (2015) Joy Division’s ‘Unknown Pleasures’ Cover: The Science behind an Image Rolling Stone. Available at: https://www.rollingstone.com/music/music-news/joy-divisions-unknown-pleasures-cover-the-science-behind-an-image-191126/ (Date accessed 9th November)


Haworth, D. (2016) David Bowie was "facing his own mortality" with Blackstar album says cover designer Dezeen. Available at: https://www.dezeen.com/2016/01/20/david-bowie-blackstar-album-cover-designer-jonathan-barnbrook-facing-his-own-mortality/ (Accessed 9th November)


Brewer, J. (2018) Malcolm Garrett on his first ever Buzzcocks artwork, and his advice to emerging graphic designers It’s Nice That. Available at: https://www.itsnicethat.com/news/malcolm-garrett-buzzcocks-love-battery-orgasm-addict-g-f-smith-graphic-design-200318 (Accessed 9th November)


SECTION THREE: Music on the go

Paragraph Nine (250)
  • The beginning of cassettes
  • Invention of the Walkman 
  • How consumers can now listen to music on the go and not limited to only in the house
  • Cassette tapes like the vinyls are also making a come back 
Case Studies (100 max)

Only include one if any, designers were still designing for vinyl and merely adapting those design for cassette sleeves, not a huge relevance to the relationship of music and design however, very important for social impact and how the experience has changed (phenomenology)

Paragraph Eleven (100)
  • What impact did the on the go machines have on the users
  • Driving music 
  • What impact has this had on the experience of music now
References

Zantel- Wiener, A. (2017) From the Phonograph to Spotify: The History of Streaming Music Hubspot. Available at: https://blog.hubspot.com/marketing/history-of-internet-radio (Accessed 12th November)

Fung, A.(2020) The Most Wanted Cassettes of All Time Discogs Blog. Available at: https://blog.discogs.com/en/most-wanted-cassettes/ (Accessed 13th November)

Paragraph Twelve (250)
  • The arrival of the Compact Disk with ABBA'S 'The Visitors'
  • How much better than the cassette it is 
  • Other industries adopting the CD like film and video 
  • The invention of the Diskman
  • Album designs being translated onto CD cases 
  • Music video starts 
Case Studies (500 total)
  • Nirvana's "Nevermind", how this brought Grunge into mainstream music. Iconic album design, still widely recognised today .The revival of rock music. 
  • Gorillaz "Demon Days", successful and immersive, used the design as their personal identity, adopted the cartoon characters and this was now their face.
Paragraph Thirteen (150)
  • How consumers now interacted with music and how it makes them feel 
  • How the better audio allowed for better stereo sound to be enjoyed. 
  • This paragraph does not need to be overly long as the experience is very similar as with the cassette apart from just being more advanced
References

Gosling, E. (2016) The Design and Music Industries are BFFs- They just don’t know it yet AIGA Eye On Design. Available at: https://eyeondesign.aiga.org/the-vital-links-between-the-design-music-industries-how-can-they-enhance-one-another/ (Date accessed 2nd October)

Creative Bloq Staff. (2006) Design for Music Creative Bloq. Available at:  https://www.creativebloq.com/computer-arts/design-music-10069654 (Date accessed 5th October)

Zantel- Wiener, A. (2017) From the Phonograph to Spotify: The History of Streaming Music Hubspot. Available at: https://blog.hubspot.com/marketing/history-of-internet-radio (Accessed 12th November)

SECTION TWO: The beginning of the digital area 

Paragraph Fourteen (250)
  • Illegal downloading of music, illegal music distribution sites, invention of MP3 and iTunes
  • Affect on design and physical sales
  • Maybe mention about music videos?
  • What consumers started doing and how the experience of music changed
Need to explain this however no need for huge depth because there was a lack of design and that should be the main point put across. Could use statistics to back the facts up.

References

Zantel- Wiener, A. (2017) From the Phonograph to Spotify: The History of Streaming Music Hubspot. Available at: https://blog.hubspot.com/marketing/history-of-internet-radio (Accessed 12th November)

Leyshon, A. (2001) Time- Space (and digital) Compression: Software formats, musical networks, 

and the reorganisation of the music industry Sage Journals. Available at: https://journals.sagepub.com/doi/10.1068/a3360 (Date accessed 12th October)


SECTION FOUR: Streaming services

Paragraph Fifteen (150)
  • Development of streaming services
  • No need for music players as smartphones can now do everything
Case Studies (Two paragraphs, 400 total)
  • Youtube, biggest streaming platform, a lot of licensing issues and uses music video
  • Spotify, second biggest, no music video but the odd song background gif
  • Both generate personal playlists for the user
  • Suggested songs etc
Paragraph Sixteen (200)
  • How are people interacting with music now 
  • Merchandise revenue changes 
  • Accessibility increased tenfold 
Obviously, like everything explored in this essay, with advances in technology, the relationship between music and design has changed, however, usually this has been for the better. But, it is evident through the experience of the user, that this change has had more negative impacts than positive. 

SECTION FIVE: The revival of music and design

Paragraph Seventeen (100-150)
  • What are designers and musicians a like thinking with regards to streaming services 
  • What are they planning to do next?
Case Studies (400)
  • Bjork Digital- exhibition/ installation work 
  • Beyonce's Lemonade film 
  • Radiohead's Polyfauna AR
  • The revival of vinyl - David Bowie's Blackstar
Talk about the audience experience individually to each case study as all are different. 

CONCLUSION (300)

  • Summarise the findings from the essay, how the relationship peaked in the 60's with the explosion of the vinyl and very soon after beginning of digital music there was a steady decline in design for music.
  •  Until the start of streaming services where music design seems non- existant on such platforms. 
  • And how designers are conflicted over the future of design and music. 
  • Trying to find new ways even with the limitations of screen. 


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